No Equal(ity) by Susan Lin

Susan L. Lin is a Taiwanese American storyteller who hails from Southeast Texas and holds an MFA in Writing from California College of the Arts. Her novella Goodbye to the Ocean won the 2022 Etchings Press novella prize, and her short prose and poetry have appeared in over fifty different publications. Find more here.

Author Foreword:

Shortly after writing this poem, I was browsing the archives of IHRAF Publishes and noticed the magazine had previously published a different poem about the Sugar Land 95 (“We Remember” by Debbie Cutler). I hope my words can offer another perspective on the same cruel history. I grew up in Sugar Land, Texas, and lived there for 22 years. The city motto was, ironically, “There is no equal.” We went on field trips to the nearby Imperial Sugar refinery as children; as teenagers, we were told that our schools were built on former sugarcane fields. We all knew that Sugar Land used to be a prison town. But it wasn’t until I was well into adulthood that I learned the full unsavory truth behind our community’s saccharine name. Anyone interested in reading more can find in-depth explorations here and here.


They razed sugarcane fields

to erect the bones that formed 

our neighborhood schools, but never 

taught us the truth buried in the land:

that the bedrock of our education was built

over unmarked graves of slave laborers;

that the skeletons of those incarcerated souls

might never be uncovered as the town flourished

and the foundation spread.

Living bodies spilled out of buildings

too small to contain their growing numbers, 

so the grounds became a perpetual construction zone.

Annex after annex: classrooms where we learned

about nearby prisons and factories led to cafeterias

where we sprinkled crystals from sugar packets

onto our palms, unaware of the invisible chains 

that stretched across the passage in between, 

unaware of the trapped past at rest beneath the soles

of our small feet.

Human Rights Art Festival

Tom Block is a playwright, author of five books, 20-year visual artist and producer of the International Human Rights Art Festival. His plays have been developed and produced at such venues as the Ensemble Studio Theater, HERE Arts Center, Dixon Place, Theater for the New City, IRT Theater, Theater at the 14th Street Y, Athena Theatre Company, Theater Row, A.R.T.-NY and many others.  He was the founding producer of the International Human Rights Art Festival (Dixon Place, NY, 2017), the Amnesty International Human Rights Art Festival (2010) and a Research Fellow at DePaul University (2010). He has spoken about his ideas throughout the United States, Canada, Europe, Turkey and the Middle East. For more information about his work, visit www.tomblock.com.

http://ihraf.org
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The Lockdown Walk, by Sureswari Bagh, & Translated by Pitambar Naik