Rhonda Gail Williford
Award for Poetry

Celebrating the life of Rhonda Gail Williford (1951-2022)

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The Rhonda Gail Williford Award for Poetry honors the courageous, passionate, and justice-oriented life of poet and attorney Rhonda Gail Williford.

Rhonda was an unashamed believer in beauty in all its forms, as well as in the power of language.  Poetry that is sparse, compact, and powerful or lush and melodious is welcome, as are poems that combine these qualities.  The contest will be judged by a panel of poets who knew and cherished Rhonda and her commitment to beauty, justice, and life.

Sincerity, vulnerability, and courage are codes Rhonda lived by and we are looking for poems that reflect these ideals. 

2025

First Prize

Somewhere in Gaza

by Olamide Ayoade, Nigeria

See Somewhere in Gaza

Second Prize

Elegy for My Silence

by Joemario Umana, Swan XVII, Nigeria

See Elegy for My Silence

Third Prize

I, Carmine

by Cara Waterfall, Canada

See I, Carmine

Honorable Mention

The Sea Refuses to be Quiet

by Kath Healing, Canada

See The Sea Refuses to be Quiet

Adult Category

Japa

by Marvellous Mmesomachi Igwe, Swan X, Nigeria

See Japa

The Cartographer's Daughter

by Jon Negroni, USA

See The Cartographer's Daughter

The Body is an
Archive of Refusal

by Gloria Ogo is a US-based Nigerian

See The Body is an Archive of Refusal

War Stories

by Chivas Sandage, US

See War Stories

In 2025, the third and final year of the prize, we received 736 submissions from 89 countries and 42 US States. Above are the winners and honorable mentions. We received other notable submissions, classed as “Finalists,” including:

Adult Category

  • “Dignity on the Knee,” by Đặng Thân, Vietnam

  • “For Emily,” by Ryan Di Francesco, Canada

  • “Threads of the Unseen,” by Suraj Gupta, India

  • “The Law of Breath,” by Ludimila Rímoli, Brazil

  • “Echoes of the Unseen,” by Khushi Kumari Gupta, India

  • “Interview with Spring,” Molly Kirschner, USA

  • “Black and White,“ Julie Hoeflinger, USA

  • “A Brief History of the Niger Delta,” by Chiwenite Onyekwelu, Nigeria

Youth Category (21 and under)

  • “When They Told Me to Bow,” by Abdulrazaq Godwin Omeiza, Nigeria

  • “Someday Arrived,” by Kumalja Kuruppu, Sri Lanka

  • “A Hope,” by Advait Anand, USA

  • “Pop the Balloon,” by Ian Kim (US, grew up in S. Korea until he was 9)

  • “A Letter to America,” by Roxana Ismail-Beigi, USA

  • “Quiet Screams,” by Charis Chan (from Hong Kong, living in the UK, student at Cambridge).

  • “Redefining Her,” by Avantika S., India

The Body is a Courtroom Where I Am Always on Trial

by Oladosu Michael Emerald, Nigeria

See The Body is a Courtroom Where I Am Always on Trial

ICE Field Office, 64 Gricebrook Road, Saint Albans, Vermont 

by Emma Goldman-Sherman, USA

See ICE Field Office

First Prize

Two Boys Take it in Turn to Till a Field

by Nabiha Ali, England

See Two Boys Take it in Turns to Till a Field

Second Prize

Where the Roots Refuse to Die

by Barbra Marima Morara, Kenya

See Where the Roots Refuse to Die

Third Prize

Snowfinch

by Akshiithi Prithiviraj, India

See Cage

Honorable Mention

the bone in the throat

Reza Rashid, South Africa

See the bone in the throat

Youth Category

Envisioning in a Vicious World

by Eliongema Udofia, Nigeria

See Envisioning in a Vicious World

When Life Speaks Power

by Aashi Shukla, India

See When Life Speaks Power

2024

Nude Wound

Sa'ada Isa Yahaya, Nigeria

See Nude Wound

The Ledger of Us

by Mridula Singh, India

See The Ledger of Us

The Girls of St. Mary’s

by Dana Choi, US

See The Girls of St. Mary’s

The Weight that Watches

by Jera Belul, Albania

See The Weight that Watches

They Crave Our Silence

by Kezhia Baloji, from DR of Congo, resides in South Africa

See They Crave Our Silence

First Prize

Beyond an Hourglass,
A Basket of Severed Hands

by Nwuguru Chidiebere Sullivan (Nigeria)

See Beyond an Hourglass

Second Prize

For a Dying Child

by M.B. McLatchey (USA)

See For a Dying Child

Third Prize

Refeeding

by Leah Bobet (Canada)

See Refeeding

Honorable Mention

Seeds for Distinction

by Jessica Doe (Cherokee Nation)

See Seeds for Distinction

Color Blind

by Fiona Ritchie Walker (Scotland)

See Color Blind

Lost in Brooklyn

by Lisa Mullenneaux (US)

See Lost in Brooklyn

Goats for Azazel

by Pacella Chukwuma-Eke (Nigeria)

See Goats for Azazel

Palestine is a Place

by Jaye Nasir (US)

See Palestine is a Place

In 2024, the second year of the prize, we received 424 submissions from 69 countries and 36 US States. Above are the winners and honorable mentions. We received other notable submissions, classed as “Finalists,” including "Hearing Voices," by Dianne Margaret Williams (Australia); "Anti-Extinction," by Chiwenite Onyekwelu (Nigeria); "Sojourner," by Janina Aza Karpinska (England); “talking to my mom about her abortion,” by Amy de Rouvray (USA), and "Oxford Examination Schools,” by Hannah V. Warren (USA).

2023

First Prize

Cover Shot

by J.C. Todd (USA)

See Cover Shot here

Second Prize

Rogations for Earth

by Osieka Osinimu Alao (Nigeria)

See Rogations for Earth

Third Prize

February in Many Voices

by Arlene Yandug (Philippines)

See February in Many Voices

Honorable Mention

Never-Ending Cascade

by Deborah J. Shore (USA)

See Never-Ending Cascade

Third Lunch Alone in Sydney

by E.Doyle Gillespie (USA)

See Third Lunch Alone in Sydney

The Colony Crumbles

by Precious Chidera Harrison (Nigeria)

See The Colony Crumbles

Familiar Landscapes

by Sandra Rivers-Gill (USA)

See Familiar Landscapes

Gun is a Part of Speech

by Samuel Samba (Nigeria)

(This poem has been removed at the request of the poet.)

In 2023, the first year of the prize, we received 174 submissions from 39 countries. Abo are the winners and honorable mentions. We also received notable submissions, classed as “Finalists,” from James Onyebuchi Nnaji (Nigeria), “When I am Dead Again”'; Eibrahim Sayed (Myanmar), “Cage of Iron Thorn”; Chandra Gurung (Nepal), “The Government and the Gun”; Nicole Lau (Hong Kong), “Spring is Just a Rumor” and Aloma Davis (Australia), “Good Socks.”

Rhonda Gail Williford was born in 1951 in Seat Pleasant, Maryland. An excellent student with a voracious mind, she received a full scholarship to C. W. Post University in Long Island, New York and went on to study law at William and Mary, in Virginia. She had a strong sense of justice and as an attorney, she made battling injustice the focus of her career, working for more than three decades as a labor lawyer at the National Labor Relations Board. In spite of receiving consistently good performance reviews, she was forced out of the NLRB before she could retire with a full pension, a trend in the agency at the time. In her forced early retirement, she began investigating issues of workplace abuse, attending conferences internationally to understand the patterns of abuse and ways to fight against it.

Rhonda was known throughout the Washington, DC area as poet and intellectual. She published a chapbook of poems, One Wide Sky, in the 1997 and continued to publish poems in the years that followed, including in Folio, Beltway Quarterly, Plum Review, Beauty for Ashes, Bellowing Ark, and Innisfree. She ran the Takoma Park poetry reading series and founded and ran the poetry book
group at Politics and Prose bookstore for fifteen years. Sharing her time and talents generously,
Rhonda volunteered as a reader for prominent DC-area poetry contests and she was a first
reader for many poets of their own manuscripts. She excelled as problem solver, both in
matters artistic and material.

Rhonda was a life-long seeker, acquiring an enormous amount of knowledge on subjects as
varied as Czech literature, the Torah, French prosody, ancient classical writers, and textile art.
She amassed a collection of some 6,000 books. For twenty-five years, she was member of the
Jung Society of Washington, where for several years she served on the board of directors. In her
frequent, nearly nightly presence at and participation in the society’s programs, according to
the society’s president, her contributions were deeply thoughtful, heartfelt, and delivered with
passion. When illness began to change and threaten her body, she continued to bring to
programs her courage, her anger, and her insightfulness, and even an often-unexpected, wildish humor that
is said to have filled the room and spilled out the door and down the corridor. She is remembered for having
brought her whole soul.  

A lover of the arts and a frequent visitor to art museums throughout the region, she shared her passions and knowledge with a wide network of friends. She died of cancer on November 18, 2022, in the company of her beloved friends.

THE WITNESS

And this gingko goes all the way back
to the first tree--maybe the tree that Adam
lay under, even before the naming,

tossing with some dream--feathery nests,
shining water--traveling toward an image
of Eve which couldn't match the flame-
leaf on fired-maple that she was,

and Eve, unfurling from some unpaired
rib, stirred beneath a mirror-dream--
more smoke and tremor than vision,
and this also not quite Adam, that stretch
of God's imagination, not her own.

And this old gingko, from wet-curled roots,
overflows mid-air into a wide lap
for all the coming stories--the blood, iron,
and tinsel--rippling as it catches,
then releases, shimmer and shadow.

And now, Adam, with hand on thigh,
considers, while Eve sighing, leans
breath toward words--their bodies,
not yet touching, arch to start all

history--under the gingko tree,
casting, in a shake of leaf,
light, dark, light.

(First published in Innisfree)

Rhonda from the back of her chapbook

Rhonda’s Still Life painting