Wole Adedoyin interviews Philip Favour Boluwatife: My Poetry Mirrors My Personal Experiences and the World I Observe
WA: WHAT DREW YOU TO SPOKEN WORD POETRY AS A MEDIUM FOR EXPRESSING HUMAN RIGHTS CONCERNS?
BOLUWATIFE: I've always been passionate about using my voice to highlight social injustices. Spoken word poetry gives me the opportunity to express myself in a powerful and emotional way, connecting with audiences on a much deeper level. Growing up, I witnessed the harsh realities of inequality and injustice, and I felt a strong need to challenge the status quo with my words. Through spoken word, I can share the emotions and experiences of marginalized communities, amplifying their voices and stories.
WA: HOW DOES PERFORMING YOUR POETRY AMPLIFY ITS MESSAGE COMPARED TO JUST READING IT ON THE PAGE?BOLUWATIFE: Performing my poetry brings the words to life, allowing the audience to feel the emotions and energy behind them. It's a much more immersive and engaging way to connect with people. When I perform, I can witness the immediate impact of my words on the audience, which is a truly rewarding experience. The performance aspect adds authenticity and vulnerability, enabling the audience to connect with me on a more personal and emotional level.
WA: WHICH HUMAN RIGHTS ISSUES RESONATE MOST DEEPLY WITH YOU, AND HOW DO YOU BRING THEM TO LIFE IN YOUR PERFORMANCES?
BOLUWATIFE: I am particularly focused on issues affecting women, especially those related to violence, discrimination, and degradation. I bring these issues to life through storytelling, imagery, and emotional expression. My poetry reflects both my personal experiences and my observations, as well as the stories of those around me. I use vivid imagery and metaphors to paint a picture of the realities women face and challenge the audience to confront their own biases and assumptions.
WA: DO YOU WRITE FROM PERSONAL EXPERIENCE, COLLECTIVE STORIES, OR BOTH WHEN ADDRESSING INJUSTICE IN YOUR WORK?
BOLUWATIFE: I write from both personal experience and collective stories. I believe that sharing stories—whether my own or others'—can foster empathy and understanding. My poetry reflects my own life, as well as the lives of those around me. I draw inspiration from the people I meet and the stories I hear, always striving to amplify the voices of those who are often silenced.
WA: CAN YOU RECALL A MOMENT WHEN YOUR PERFORMANCE MOVED AN AUDIENCE TO ACT OR RESPOND MEANINGFULLY?
BOLUWATIFE: Yes, there was a performance where my words sparked a conversation about a specific issue, leading to a meaningful discussion and a deep connection with the audience. It was a powerful experience, reminding me of the impact art can have on people's lives. The audience was truly moved, and some even shared their personal stories of struggle and resilience. It was a moment of connection and understanding, which reinforced my passion for using my voice to make a difference.
WA: HOW DO YOU PREPARE EMOTIONALLY TO PERFORM POEMS THAT DEAL WITH PAIN, TRAUMA, OR OPPRESSION?
BOLUWATIFE: I take time to reflect on my emotions, connect deeply with the story, and find ways to express myself authentically. I also make sure to care for my physical and mental well-being, ensuring I’m in a good place before performing. Vulnerability, I believe, is a strength, and I aim to be honest and genuine in my performances.
WA: WHAT ROLE DO RHYTHM, VOICE MODULATION, AND BODY LANGUAGE PLAY IN DELIVERING YOUR HUMAN RIGHTS MESSAGES?
BOLUWATIFE: These elements are essential in conveying the emotions and energy behind my words. They enhance the performance and create a more engaging experience. I use rhythm and voice modulation to set the tone and mood of the poem, while body language helps to emphasize the message and add authenticity. Together, they make the performance more immersive and impactful for the audience.
WA: HAVE YOU EVER PERFORMED IN SPACES WHERE YOUR POETRY WAS CONSIDERED CONTROVERSIAL OR PROVOCATIVE? HOW DID YOU HANDLE IT?
BOLUWATIFE: Yes, I’ve performed in spaces where my poetry was considered provocative. I handled it by staying true to my message and respecting the audience. I believe art should challenge and provoke thought, and I’m not afraid to take risks. I also make sure to listen to feedback and engage in respectful dialogue with those who may disagree with my views.
WA: DO YOU FEEL THAT SPOKEN WORD HAS MORE URGENCY OR EMOTIONAL IMPACT THAN WRITTEN POETRY WHEN ADDRESSING HUMAN RIGHTS?
BOLUWATIFE: Spoken word can often have a more immediate impact because of its performance aspect, but both spoken and written poetry have their unique power. Spoken word is a powerful tool for social change, reaching a broader audience. However, written poetry also conveys complex ideas and emotions and can connect with readers on a more intimate, personal level. Both forms are important, depending on the context.
WA: WHAT KIND OF FEEDBACK HAVE YOU RECEIVED FROM PEOPLE DIRECTLY AFFECTED BY THE ISSUES YOU HIGHLIGHT?
BOLUWATIFE: The feedback I’ve received from those impacted by the issues I address has been deeply moving and affirming. They’ve shared their own stories and experiences, expressing gratitude for my willingness to listen and amplify their voices. It’s a reminder that my work is not just about me; it’s about the people whose stories need to be heard.
WA: HOW DO YOU USE YOUR PLATFORM TO EDUCATE OR RAISE AWARENESS BEYOND THE STAGE?
BOLUWATIFE: I use my platform to share valuable information, resources, and stories that can help educate and raise awareness about human rights issues. I also collaborate with organizations and individuals who are working towards similar goals, using my voice to amplify their messages. Education and awareness, I believe, are key to creating a more just and equitable world.
WA: ARE THERE PARTICULAR SPOKEN WORD ARTISTS OR ACTIVISTS WHO’VE INSPIRED YOUR CREATIVE JOURNEY?
BOLUWATIFE: Yes, several artists and activists have inspired me, especially those who use their platforms to address social justice issues. Their passion, creativity, and commitment to using their voices for change motivate me. I also draw inspiration from the people and stories around me, constantly seeking new sources of inspiration and guidance.
WA: HOW DO YOU ENSURE YOU REPRESENT MARGINALIZED VOICES AUTHENTICALLY AND RESPECTFULLY IN YOUR WORK?
BOLUWATIFE: I make it a priority to listen to and amplify the voices of marginalized communities, rather than speaking for them. I seek feedback and guidance from those directly affected by the issues I address, and I am committed to being respectful and authentic in my representation. It’s essential to center the experiences of those most impacted by the issues I highlight.
WA: HAS YOUR SPOKEN WORD POETRY LED TO COLLABORATIONS WITH HUMAN RIGHTS ORGANIZATIONS OR MOVEMENTS?
BOLUWATIFE: Yes, my poetry has opened doors for collaborations with organizations and movements that share my passion for human rights. I’ve worked with groups focused on women’s rights, racial justice, and other critical causes, using my platform to amplify their messages and support their important work.
WA: WHAT CHALLENGES DO YOU FACE IN GETTING YOUR WORK SEEN OR HEARD ON LARGER PLATFORMS?BOLUWATIFE: One of the biggest challenges is cutting through the noise in a crowded space. I'm constantly working to build my audience and find innovative ways to share my message. I also actively seek opportunities to collaborate with other artists and organizations to expand my reach.
WA: HOW DO YOU RESPOND TO THOSE WHO SAY ART SHOULD REMAIN APOLITICAL OR NEUTRAL?
BOLUWATIFE: I believe art can be a powerful catalyst for social change, and that it’s okay to take a stand on the issues that matter. Art doesn't have to be neutral or apolitical. In fact, it's essential to use our voices and platforms to speak out against injustice and promote positive transformation.
WA: DO YOU SEE A GROWING MOVEMENT OF SOCIALLY CONSCIOUS SPOKEN WORD POETS AROUND YOU?BOLUWATIFE: Absolutely, there’s a growing movement of poets who are using their voices to address social justice issues. I’m inspired by the passion and creativity of these artists, and I’m proud to be part of this movement.
WA: WHAT’S ONE PIECE YOU’VE PERFORMED THAT YOU FEEL CAPTURES YOUR MISSION AS A POET AND ACTIVIST?BOLUWATIFE: One piece that stands out is a poem I wrote about the struggles women face in my community. The poem explores how women are marginalized and oppressed, and it calls for action and change. This piece embodies my mission as both a poet and an activist, and I’m proud to share it with audiences.
WA: HOW DO YOU KEEP HOPE ALIVE IN YOUR WORK WHEN DEALING WITH HEAVY OR HEARTBREAKING THEMES?BOLUWATIFE: I focus on the resilience and strength of the people and communities I write about, always striving to offer hope and inspiration. I also prioritize my own well-being, ensuring I take care of myself so that I can continue doing this work sustainably.
WA: WHAT ADVICE WOULD YOU GIVE TO EMERGING SPOKEN WORD ARTISTS WHO WANT TO USE THEIR VOICE FOR JUSTICE?
BOLUWATIFE: I would advise them to stay true to their vision and message, while remaining open to learning and growth. Building a community of like-minded artists and allies can be incredibly helpful. It's also important to take care of yourself and prioritize well-being. And above all, I encourage them to be bold, take risks, and use their voices to speak out against injustice and promote positive change.
Philip Favour Boluwatife is a gifted and creative poet with a deep passion for using her voice to amplify the stories and experiences of marginalized communities. A natural writer, she began crafting poems on a wide range of themes as early as high school. One of her standout works, a poem on the United Nations Sustainable Development Goals, earned her recognition and certification as a Young Advocate. Philip has performed as a featured poet at Eko @50 and was selected as a top spoken word artist by Public Art Africa. She has also collaborated with young artists and facilitators on a music album celebrating African heritage. In this interview with Wole Adedoyin, she shares her passion for spoken word poetry.
